For the larger world operating outside of Chicago's high speed footwork circles, juke's impact in 2010 has mostly been an indirect one, altering the DNA of established musical continuums in unexpected ways. In David Kennedy's case, footwork's percussive drive and 808 fetish stands as the perfect addition to the latent junglist tendencies showcased on his Ramadanman EP earlier this year where he resurrected London's primordial breakbeat science for a new era. "Blanked," released under his Pearson Sound moniker, is highly labored and to great effect.… read more
For the larger world operating outside of Chicago's high speed footwork circles, juke's impact in 2010 has mostly been an indirect one, alt… read more
For the larger world operating outside of Chicago's high speed footwork circles, juke's impact in 2010 has mostly been an indirect one, altering the DNA of established musical … read more
David Kennedy’s work as Ramadanman and Pearson Sound has always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes. As a key component behind some of the most daring dancefloor music, both as a producer and as a label owner – Kennedy co-runs the Hessle Audio imprint, alongside Pangaea and Ben UFO - he’s travelled the world numerous times over releasing music by key producers like Joe, Elgato and James Blake as he’s done it. Scoring his label a well respected residency at London club, fa… read more
David Kennedy’s work as Ramadanman and Pearson Sound has always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequ… read more
David Kennedy’s work as Ramadanman and Pearson Sound has always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes. As a key component be… read more